Nagayama Youko - Jon kara Onna Bushi

It's been forever since I posted here but it's about time that I started again. After about 5 months of my new life in Japan I think I've settled in pretty well. Here's one of my favorite enka songs.

雪は下から 舞い上がり 赤い裳裾に まといつく太棹三味線 女の旅路 燃えるくすぶる はじける愚図る 離れられない 男(ひと)がいる じょんからじょんから わかって欲しい バチの乱れは 気の乱れ別れ言葉は 言わせない 深みにはまった 女の弱み 男ごころは 風より軽い 月にかくれて されるまま じょんからじょんから 哭かせて欲しい 鉛色した 空の色春は私にゃ 遠すぎる 太棹たたけば 糸さえ切れる 憎いいとしい せつない辛い指にからまる 女節 じょんからじょんから あんたが欲しい

Snow dances up around me Clinging to my the red hem of my skirt A shamisen, a woman's journey I burn and smolder, I split and fume There's a man I can't let go of I want to make you understand with the sound of my strings The chaos of my pick is the chaos of my heart I won't let you say goodbye This is the weakness of woman who fell too hard The heart of a man is more fickle than the wind Now, as I'm hidden by the moon I want to make you cry with the sound of my strings The sky is the colour of metal Spring is too far from me When I pluck the shamisen its strings snap Hateful, dear, heartrending, painful -- the song that twines around my fingers I want to keep you with the sound of my strings

Ryukyuan Languages

I fell into the youtube rabbit hole and stumbled upon some videos uploaded by user wadoku2008 and wadoku2012. In the video below, Byron Fija, a native of Okinawa born to an American father and Okinawan mother, discusses the different languages of the Ryukyu Islands in the Uchinaaguchi language. There are some Japanese words interspersed and the grammar seems very Japanese, but the sound and intonation of it is very different. There are glottal stops in strange places (coming at it from a Japanese language point of view) and sometimes it almost sounds like Korean. I don't know much about the historical roots of languages of the islands of Japan, but this has made me more interested in getting a deeper understanding of it.

Translation Exercise: 「ご主人は、私よ」

「ご主人は、私よ」, from 『女のセリフ１２０』 by 伊藤雅子 ( 未来社, 1995)

"I'm my own master!"

Even among the younger generation, there are still many people who use the word "master" (shujin) to mean "husband." I often hear of people who say they don't call their own husband "master" but end up using the term for other people's husbands (goshujin). 

The female historian Yamazaki Akiko told me that when she is asked "And what about your master? (Goshujin ha?)" she answers, "I am the master of myself." A firm and sound reply.

I recently heard this from a newlywed friend: "When a new friend asks me something like, 'How is your goshujin today?' and I answer, 'I'm my own master!' they say, 'Oh, you're right!'"

This friend has a husband who is still a student. In their household, she is the "breadwinner." The meaning of the word "master" rings all the more true in her mock-rebellious reply when asked this kind of question by someone who knows this background information.

The following words have been heard in the mouths of my single friends.

"You have to be careful when hanging out with a married woman."

That is, it seems that when meeting with someone who does not earn their own money, whether it's for dinner or a short trip, one must take care to note that person's personal limits.*

"Going out with someone who works is fine, but I end up hesitating when it comes to people who use their 'master's' money. It's partly because of the so-called 'housewife money sense'. So what I always do is have them decide ahead of time, and then just go off of that."

I wonder what these married women would think to know that they're being seen this way by their own friends.

*「自分自身の稼ぎを暮らしていない人とつき合うとき、[略]　どれくらいのランクがその人の許容範囲なのか気を遣うのだそうだ。」

ディスる and subs2srs

ディスる
On Sundays I watch the show on the top of the variety feed, whatever it is. If I didn't I'd end up watching the same shows every week. Sometimes it isn't very interesting, since it's all entertainment and the main object is to either shock you or get a laugh out of you. But sometimes you learn some interesting things. For example, I learned the word ディスる while watching スクール革命. It comes from the English "diss", of course. Now I can talk about people dissing other people in Japanese. Although does anyone use "diss" in English that often nowadays?

subs2srs

I came across this on /r/languagelearning.

"subs2srs allows you to create import files for Anki or other Spaced Repetition Systems (SRS) based on your favorite foreign language movies and TV shows to aid in the language learning process.
This utility will parse through subtitle files, extract the dialog and timing information and then use that information to generate audio clips, snapshots and video clips for each line of dialog."

 Although you can do the same kind of thing on LWT, this is less time-intensive. If you have both the English and Japanese subtitles, they can be matched and processed at the same time into one card. Pretty cool!

Japanese Lenition

Ugh, insomnia. I have to wake up at 7, brain! Go to sleep!

But I guess now is the time to look up a bit more of this very interesting lenition stuff I initially saw in a post on reddit: Why do /k/ and /g/ go to /i/ in Japanese? For example, /kak + ta/ (stem write + past) -> kaita. What is the motivation for turning a velar into a vowel? 

According to Wiki lenition is "a kind of sound change that alters consonants, making them "weaker" in some way. The word lenition itself means "softening" or "weakening" (from Latin lenis = weak)." So it's similar to what happens in American English, with all those ɾ's getting up in the t's circumference without regard to lexicography. 


I remember thinking up something kind of like this (and by that I mean not really anything like this at all) when I learned passive conjugations. I didn't think about one kind of verb taking  られる　and the others taking あれる; I just stuck あれる on the end of any "plain" verb and imagined the う in between eroding away. So たべる＋あれる＝たべるあれる⇒たべられる and かく＋あれる＝かくあれる⇒かかれる. Actually now that I write that out it seems a lot more complicated than just remembering る⇒られる、う⇒あれる. 


Anyway, the top comment by limetom is very enlightening, so now I'm looking through the preview of the book they cited ("A History of the Japanese Language" by Bjarke Frellesvig) on Google. Yeah! Making can't-sleep-time into learn-something-time is the greaɾest!

Return to Translation Exercise: 「すぐ、女は幸せにされてしまうから」

"Hey, there hasn't been a translation exercise in a long while. She's probably doing them but not posting them."

No... No... I've just... I've just been not doing them at all...

your reaction

I'M SORRY! I'M SORRY! 

ごめんなさい！

 I'll start again! LIKE RIGHT NOW!

 「すぐ、女は幸せにされてしまうから」, from 『女のセリフ１２０』 by 伊藤雅子 ( 未来社, 1995)

"Women are made happy."

I heard these words more than ten years ago at a colloquium I headed. The theme was "My Issues as a Woman." The notes from that discussion were published afterward in the book "The Housewife and The Woman."

25 housewives looking deeply into themselves, delving into their problems. It was a painful, earnest kind of discussion. Truths spilled out like sighs, but among them all this utterance is one of the few that I cannot forget.  The words did not have to be pressed free - they rushed out, and the speaker seemed completely oblivious to the fact that she had said something important. 

One often hears that women are constantly deceived about the things happening right before their eyes; that women are easily pigeon-holed into the mold cast by this common idea of "a Woman's Happiness"; that women are always made happy by someone, instead of making their own lives with their own hands. The sentiment has ample occasion to be said.

During the discussion, I was often struck by the perceptive self-reflections amongst the women's innocent revelations:

"It's so easy since I had a kid. I guess because I don't have time to think about myself anymore."

"I'm alone with my child all day everyday -- I can only speak baby-talk now."

The self-portraits that the women drew with their words that day were not painted in the brightest colors, but I would like to believe that this self-reflection is the starting point for something more. 

"Learning with Texts" (or, another way to study that I will probably slack off on once again)

Looking up and flashcard-izing kanji in your Japanese reading passages just became loads easier, but probably not easy enough for me to spend time doing it. I need that time to stare pointlessly into space and the depths of the internet, damn it!

I jest, I jest. I've just started using this Learning with Texts thing and it looks pretty cool so far. Honestly, all the instructions for setting it up kind of had me grumbling, but despite all the unzipping and file renaming (we learn to do that in middle school anyway, right, my generation?) it actually wasn't that daunting. Here's the set up...

Yes, I'm watching a show called Rooftop Prince. Don't judge me!

And here's what it looks like when you use it to edit sentences:

As you can see I've just added one of those passages from Asymptote. When you see a word you don't know, you can click on it, tell the program where it ends, and get the definition in the next window. I set my dictionaries for Denshi Jisho and Yahoo Jisho. All I have to do is put the info I want into the top right hand box (the translation, etc). You can also set whether you know or are learning the word. All of this information can later be exported into Anki decks (Right? I haven't done it yet myself).

It's like what I strive to do over two days in two clicks!

Sweeeeeeeeeeeeet.

EDIT:

Here's how I set up my Japanese preferences...

And if you're using the EasyPHP method, you might have trouble if you use the link to 127.0.0.1:8887 that's on the site. I had to get to it through the EasyPHP program itself like so:

open it in your notification area (it's the little e down there)...

click on the icon on the left of the window and select 'Local Web' from the drop-down menu...

and voila! Your LWT home page should pop up in your browser!

LOLcats... en español y 日本語！

So the Spanish learning site Zambombazo has some "Miáucoles" or Lolcats for your enjoyment. Despite the very little Spanish that remains in my head, I still managed to find them hilarious.

Miáucoles: Lolcats en español: qrs hcr algo?
"Wanna do smthg?" "No." "Me nthr."

Miáucoles: Lolcats en español: Gatiposa
"Look, I'm a Catterfly'

So I got to wondering if they have LOLcats in Japanese, too. I didn't look that hard - I just typed LOLcatって何？ and LOLcat日本語で into Google and found "LOLCATS IN JAPANESE". The images are in English with a translation below.

美しさは罪

I was interested to see how they would translate the "I iz, I can haz" bits, but the translation is pretty straight-forward. In one of the Spanish examples above they use a distorted/abbreviated version of Spanish ("Todos los miáucoles publicamos un lolcat con un texto escrito intencionalmente con una ortografía y sintaxis fuera del español estándar, con verbos extrañamente conjugados y también con abreviaturas SMS en español”), but I don't think any of the Japanese translations are purposefully distorted like LolCat(ese?) is. Actually, they usually have the proper English version along with the Japanese, as you can see above.

I do remember having a なめんなよ免許書 when I was in high school though. It had a yankee-looking cat and his girlfriend with his bike, if I remember correctly. It probably looked a lot like this one:

なめんなよ　免許証2

I couldn't understand much Japanese back then, but it reminds me a little of LOLcats. I wonder what happened to it...

Translation Exercise: 「わたしが殺せないところまで成長した子供よ。ありがとう」

「わたしが殺せないところまで成長した子供よ。ありがとう」, from 『女のセリフ１２０』 by 伊藤雅子 ( 未来社, 1995)

"Thank You, My Child, for Growing So Big I Can't Kill You"

The rest of Hoshiko Kanazawa's poem, "Kisetsu", continues: "To protect you meant that I could kill you - what a weight to bear."

Agata Hikari's short story, "The A-Ha-Ha Expedition", features similar words: "Newborns... seem like they could be smashed to pieces by the slight pressure of an overeager embrace. I shudder to think that death is, in reality, so near at hand - my hand  could bring about such horror."

She continues, "I wonder if I could properly embrace them, if I could hug them without suffocating them."

But Yuriko Oka expresses a different point of view in  "I Am 12 Years Old": "What plagues me most since the death of my son is the thought that I didn't hug him tightly enough."

These words run completely contrary to each other, but both strike a chord in a mother's heart. You fear holding them too tightly, you blame yourself for maybe not embracing them tightly enough. A mother who has devoted herself to the upbringing of her child  is always wavering between these two extremes. 

The weight of the child in my arms is the weight of that life. Or perhaps, for this mother who hangs her own life on that of her child, it is the weight of self-judgement.

Translation Exercise: 「女には名前なんていらないんですね」

「女には名前なんていらないんですね」, from 『女のセリフ１２０』 by 伊藤雅子 ( 未来社, 1995)

"Women Don't Need Names, Do They?"

I started listening to older music in high school, and I couldn't stand to think about all of the women of the dynasty whose true names are unknown, who remain for posterity with only descriptors like "General Michitusna's mother."

What reminds me most of this is the heavily underlined obituaries column of the newspaper I read everyday. Most of the names belong to men, but when you do occasionally find a woman she is almost always referred to as "Mother of Mr. X" or, "Mr. X's Wife." Her real name is practically a shadow. And once you come to this realization, you begin to recognize that even while alive women don't have names.

I was left momentarily speechless when a woman told me, "I'm always called "Little X's mother" or "Mr. X's wife," so it makes me happy to hear my own name when I come to the community center." That was almost twenty years ago, but even today women rarely hear their names. On the contrary, women themselves seem to be forgetting that they have names.

I've heard that at the public library, women signing for their library cards had to be asked, "Isn't this your husband's name?" And that women attending a quilting exhibition tried to give the receptionist their husband's names when asked to identify themselves. Women: although they fill the seats at PTA meetings, the names on the attendance roll are all men's; when they buy something and have it delivered home, the package will naturally be addressed to their husbands (no matter if the package contains women's clothes).

Just what do women gain by throwing away their good name?

Translation Exercise: 「私は会社と結婚したのに」

I stopped by the used bookstore today. I found The Cambridge Encyclopedia of Language (1988), A book of short stories by "Japanese Women Writers" translated into Japanese, and a book of 120 short essays by a woman named Masako Itou. Each one is only about two pages. I thought they would make for good translation exercises. Here is the first:

「私は会社と結婚したのに」, from 『女のセリフ１２０』 by 伊藤雅子 ( 未来社, 1995)

"But I'm Married to the Company"

You may think the words above were uttered by a person resolutely sacrificing himself to his work, but these are the words of a wife, upon hearing that her husband, an employee at a top-level company, had decided to quit and open his own business.

The husband smiled wryly. "Well, you're half joking." But whether they are an exaggeration or the truth,  the wife's words very eloquently describe the true form of what we call marriage. I may even say that her words glaringly reveal a misunderstanding common to men.

There are often men who confuse the prestige of their rank with the strength of their character, or who erroneously believe that a good income is equivalent to their dignity as a human being. There are also many, many men who are preoccupied with the belief that they as people are held in high regard, when it is only their titles that are venerated -- it is only their labels that rate highly. This is laughable.

But it cannot be said that this tendency exists only in men. The truth is that there are women who marry themselves to the titles of such men. Brand-obsession is not merely a matter of wristwatches and handbags; through marriage, a woman earns status by buying a 'brand-husband'. This is considered a woman's utmost happiness.

I hear strains of "An Essay Against Marriage" author Hideko Okada*: "Man buys love with money, and woman buys money with love."

There are people who, when they see a wife taking a great deal of trouble over her husband's health, call her shameless. A woman's rank is decided by her husband's company position and economic power. Love, which should be the purest of all things, is prone to distortion when a woman's husband is her livelihood.

*岡田秀子、『反結婚論』